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Socrates

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Questioning --- Plato. --- Socrates

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Immersion method (Language teaching) --- Immersion (Enseignement des langues) --- Echanges internationaux --- Socrates Programme. --- Education --- Languages, Modern --- Educational exchanges --- Langues vivantes --- Study and teaching --- Etude et enseignement --- Formation professionnelle

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Of all Plato's dialogues, the Parmenides is notoriously the most difficult to interpret. Scholars of all periods have disagreed about its aims and subject matter. The interpretations have ranged from reading the dialogue as an introduction to the whole of Platonic metaphysics to seeing it as a collection of sophisticated tricks, or even as an elaborate joke. This work presents an illuminating new translation of the dialogue together with an extensive introduction and running commentary, giving a unified explanation of the Parmenides and integrating it firmly within the context of Plato's metaphysics and methodology. Scolnicov shows that in the Parmenides Plato addresses the most serious challenge to his own philosophy: the monism of Parmenides and the Eleatics. In addition to providing a serious rebuttal to Parmenides, Plato here re-formulates his own theory of forms and participation, arguments that are central to the whole of Platonic thought, and provides these concepts with a rigorous logical and philosophical foundation. In Scolnicov's analysis, the Parmenides emerges as an extension of ideas from Plato's middle dialogues and as an opening to the later dialogues. Scolnicov's analysis is crisp and lucid, offering a persuasive approach to a complicated dialogue. This translation follows the Greek closely, and the commentary affords the Greekless reader a clear understanding of how Scolnicov's interpretation emerges from the text. This volume will provide a valuable introduction and framework for understanding a dialogue that continues to generate lively discussion today.

Dialectic --- Reasoning --- Ontology --- Polarity --- Polarity (Philosophy) --- Argumentation --- Ratiocination --- Reason --- Thought and thinking --- Judgment (Logic) --- Logic --- Plato. --- Zeno, --- Parmenides. --- Socrates. --- Socrates --- Socrate --- Zenón, --- Zénon, --- Zenon, --- Ζήνων, --- Zēnōn, --- Sokrates --- Sokrat, --- Sokrates, --- Suqrāṭ, --- Su-ko-la-ti, --- Sugeladi, --- Sokuratesu, --- Sākreṭīsa, --- Socrate, --- سقراط, --- Σωκράτης, --- ancient classics. --- ancient greece. --- ancient greek philosophy. --- classic philosophy. --- classical philosophy. --- classical thought. --- classics. --- eleatics. --- forms. --- greece. --- greek philosophy. --- greek translation. --- greeks. --- logic. --- metaphysics. --- monism. --- mystic. --- neoplatonism. --- parmenides. --- philosophy. --- plato. --- platonic metaphysics. --- platonism. --- religion. --- spirituality. --- western canon.

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In archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about--and interacted with--statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice ''good to think with.'' Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within. By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social--rather than purely aesthetic--study will attract art historians, cultural historians, and anthropologists, as well as classicists.

Statues in literature --- Statues dans la littérature --- Art et littérature --- Sculpture in literature. --- Sculpture, Greek, in literature. --- Statues in literature. --- Statues dans la littérature --- Art and literature --- Greek literature --- Statues --- History and criticism. --- Sculpture in literature --- Aesthetics, Ancient. --- Sculpture, Greek. --- Littérature grecque --- Art et littérature --- Sculpture dans la littérature --- Esthétique ancienne --- Sculpture grecque --- Histoire et critique --- Statuary --- Monuments --- Sculpture --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Achilles. --- Admetus. --- Alcibiades. --- Daidalos. --- Dionysus. --- Gorgias. --- Gorgon. --- Harmodios and Aristogeiton. --- Helen. --- Hephaistos. --- Hermes. --- Kronos. --- Leagros. --- Lucian. --- Lykosura. --- Menelaus. --- Nike. --- Niobe. --- Odysseus. --- Pandora. --- Pelops. --- Pindar. --- Socrates. --- athletic images. --- base, of statue. --- blindness. --- chariot race. --- charis. --- civic life. --- cult images. --- daidalon. --- eikones. --- eros. --- facture. --- festivals. --- funerary monuments. --- homosocial relations. --- idealization. --- immobility. --- ivory. --- korai. --- mirror image. --- mobility. --- realism. --- summetria. --- Standbeelden. --- Plastische kunst. --- Interactie. --- Griekse oudheid. --- Bellettrie. --- Beeldvorming.